This is the instruction of my course work
– Live Performance Audio Production Analysis
Check out and view a DVD of a live performance or find a full performance on Youtube.
Selections must be from this century (2000 to present). You will be required to analyze the technical portions of the live audio component of the performance. These
components will include the audio personnel, audio companies listed in the credits, and technology.
Technologies to be identified include wireless microphone and In Ear Monitor systems, speaker types and applications, consoles and more. If the technology cannot be
determined by viewing the DVD, you should use the media center, magazines in the library or Internet to find a tour profile of the performance. Then, compile your
findings into a brief show profile.
Acceptable formats: Word Document, Excel Spreadsheet, PPT or Keynote, PDF, Presi, etc.
Citations:
Include a full reference to the DVD or performance itself and also any sources you use to complete the show profile. Citations should be in APA format.
Son of Citation Machine (http://citationmachine.net/index2.php). Follow the instructions link.
Example from a Website:
Jennings, S. (2013, January 01). Barbra streisand: Back to brooklyn tour. Mix Professional Audio and Music Production, Retrieved from
http://mixonline.com/live/tourprofiles/barbra_streisand_back_to_brooklyn_tour_2012//index.html
Helpful resource sites:
http://mixonline.com/live/tourprofiles
Identify as much information from the list below as possible.
1) Personnel:
a) Audio Company
(1) System Engineer/Crew Chief
(2) Monitor Technician(s)
(a) RF Technician
(3) P.A. Techs
b) Band Engineers
(1) FOH Engineer(s)
(2) Monitor Engineer(s)
2) Consoles
a) FOH –quantities
b) Monitor –quantities
c) Other
i) Broadcast, Simulcast, Webcast
3) FOH Speaker System
a) Quantities
b) Techniques and usage
i) Main Hang
ii) Side Hang
iii) Front Fill
iv) Subwoofer
v) Delay
vi) Other
4) Monitor Systems used
a) Monitor Wedges/Subwoofers/Sidefills
i) Quantities
b) In Ear Monitors
i) Quantities
c) Tactile Transducers
i) Quantities
ii) Application
5) Microphones used and placement techniques.
i) Application for each instrument
a) Close Miked, On or Off-Axis, etc.
(1) Vocals – Headset, handheld, lavaliere, etc.
ii) Placement Technique
(1) Drums – Overhead vs. underhead. Triggers? Sub-kick.
(2) DJ?
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